Reallives Productions with Marmalade Gold
Monday 28 March 2016
Thursday 17 March 2016
'Mums on the Run' is to be featured at the 'Open Door Short Film Showcase'
Latest review
Latest review
"A
matter of fact and unsentimental documentary that made me feel both sad
and shocked. I quickly warmed to the main characters and feel
privileged to have had this insight into their lives. Brave and
intelligent filmmaking."
The Open Door Short Film Showcase Team.
Monday 14 March 2016
www.filmgold.wix.com/reallives
Education & Training
University of Canterbury & Christchurch:
HE Journalism & Media Studies
HE Cultural Studies & Photo Journalism
University of Kent - BA in Film Studies & European Art
with Tutors/ Clio Bernhard/The Arbour & Bafta award winner for The Selfish Giant
Sarah Turner, Tutor for Moving Image and Sight & Sound Film of the Month ‘Perestroiker’
University of Amsterdam, European Art
NFTS - National Film & Television School Training workshop in Film Production with Dick Fontaine & Kim Longinotto.
Sheffield Documenary Festival workshops for Pitching and commissioning in the Power Hours
LCC London University of Arts MA in Documentary Practice with Pratab Rhugani & Nancy Platt
Screensouth / Film Agents helping emerging talent in the Kent area / Film production & development training programme with David Castro.
Mentors John Tagholm from C4 executive producer and indie filmmaker / Amanda Boyle from Skins and Cast Offs
Education & Training
University of Canterbury & Christchurch:
HE Journalism & Media Studies
HE Cultural Studies & Photo Journalism
University of Kent - BA in Film Studies & European Art
with Tutors/ Clio Bernhard/The Arbour & Bafta award winner for The Selfish Giant
Sarah Turner, Tutor for Moving Image and Sight & Sound Film of the Month ‘Perestroiker’
University of Amsterdam, European Art
NFTS - National Film & Television School Training workshop in Film Production with Dick Fontaine & Kim Longinotto.
Sheffield Documenary Festival workshops for Pitching and commissioning in the Power Hours
LCC London University of Arts MA in Documentary Practice with Pratab Rhugani & Nancy Platt
Screensouth / Film Agents helping emerging talent in the Kent area / Film production & development training programme with David Castro.
Mentors John Tagholm from C4 executive producer and indie filmmaker / Amanda Boyle from Skins and Cast Offs
Friday 12 February 2016
Wednesday 18 November 2015
Reviews on documentary "Life after Refuge" by the Late Jack Gold & Other Significant Filmmakers
Reviews on Film Documentary "Life After Refuge" by Alicia Rose/Hoser
Vikki Dunford & Tom Cranliegh-Swash
John
Tagholm, Independent
Producer/Writer, says, “An emotional and
visually disturbing film, a proper mirror of what happens in some women's
lives.”
Mick
Efferton, Independant
Filmmaker, "This documentary revealed itself to
be a remarkable personal voyage through
the author's time living in a women's refuge.
Reviews on Alicia's Film 'Life after Refuge'
Alicia's Film (Life After refuge)
At last, an interesting film. After an interminable time
spent trying to decipher half a dozen strange combinations of personalised and
plot-less graduate shorts, the audience audibly woke up and engaged with Alicia
Hoser’s film, Life After Refuge.
Hoser's documentary revealed itself to be a remarkable
personal voyage through her time living in a women's refuge. It was shot in a
gangly video-diary style interlaced with home movies and with more formal
interviews. The film’s delivery was restrained, with a light directorial touch
which allowed the participants to have full ownership of their contributions.
The auteur guided the viewer through the physical and social landscape that the
women inhabit and this accorded the film with the naturalness and intimacy that
gave it its warmth.
The audience clearly engaged with the film, which was
both enlightening and deeply touching, particularly the short testimonial by
one lady, who told of her husband's hatred, depicting his violence towards her
female body parts with a frank and understated dignity. The woman’s eyes filled
with tears as her testimony jarred with the sympathetic forum she was
expressing the events in. The audience empathised with her suffering, as she
mourned the hatred that underpinned the man's feelings towards her. There were
other voices of terrible ritual violence by men who had gained temporary
control of these women. However, the participants were keen to stress that they
were still capable of re-emerging as the strong, sassy powerful women they were
and still are, on either side of the abuse.
This is not to say it was simply a depressing look at
abuse. It was an affectionate and affirmative look at life in the wake of
turmoil, violence and chaos. Hoser has made a film about hope, strength and
friendship. As such, it was a refreshingly honest and candid look at the issues
surrounding society’s perception of the ‘victims’ of domestic violence.
Tuesday 17 November 2015
Reviews
'Mum's on the Run' (UK) Director Alicia Hoser, (running time 15 minutes).
'Mum's on the Run' is an insiders view of life in a Jewish Women's Refuge. Shot over an eight months, the film offers an immediacy and an honesty about its characters and the issues they face, captured in a emotional yet unsentimentally brutal way.
Link to Teaser Trailer
https://youtu.be/KG-9fOZak7E
John Tagholm, Independent Filmmaker for BBC/ITV/C4 and Writer, says,
'As with all Alicia Hoser's films, Mums on the Run hits you between the eyes and makes you decide where you stand on any number of
issues.'
Amanda Boyle, Director/Producer and BAFTA Film Award Winner.Cast Offs/Skins/Misfits and Pop Art are just a few of the films under Amanda's direction and after viewing Alicia Hoser's film Boyle states,
"Mums on the Run - quickly pulls you in to the real observations of it's wonderfully larger than life director. The economical editing and elegant use of text cleverly sets the scene - yet it's the unselfconscious moments it captures which make it stand out. Powerfully straight forward and undeniably joyful at times - Alicia's film gives you a brief snap shot of the aftermath of abuse as a reality. Without ever being voyeuristic, you can't help but be moved by the frustrations, humour, warmth and intimate tragedy Alicia sees around her. This is home video where home is precarious and the technique behind the videoing is bold and skilled. I know I'll keep thinking about this film and can't wait to see what Alicia does next cinematically."
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